The use of mellotron as a choir emulation is very poignant, and the final product is OUTSTANDING, like on the second part of "Entangled" and "Los Endos". Collins' voice is excellent, especially on "Ripples", his best vocals performance with Genesis! Even the least good track, "A trick of the tail", has something very special: very cute, funny and pleasant to listen! Well, this album contains one of the best Genesis' songs ever recorded: "Ripples", "Entangled", "Los endos", and the quintessential bit in "Robbery assault and battery". Banks' keyboards are really refined: compared to "The lamb lies down on Broadway", his keyboards work here is at many levels better: more complex, more moving, more impressive, faster, more varied! Banks here really masters the keyboards: Collins' extreme drums and Rutherford's refined and fast bass really challenge Banks: Banks proves that he is able to manage the overloaded music by producing melodic solos, floating arrangements and rhythmic parts extremely difficult to play. Phil Collins is REALLY at his best on drums, no doubt about it!! He is so fast and complex that he seems to float over his drum kit.
Rutherford is probably at his best here: the elaborated bass is a strong point on this record. The tracks are varied enough to satisfy anyone! Hackett's guitars are quite acoustic, and the electric ones are really Fripp-esque: the emotional solos here are less like on "Wind and wuthering", but rather like on the King Crimson's albums of the 70's. This album has very delicate and tender moments too, like the tracks "Mad man moon" and "Entangled". This is the third best of the Genesis' albums, right after "Selling by the pound" and "Foxtrot"! It is OUTSTANDING, and Genesis never made a so jazz/fusion album like that! The drums and bass are at many bits REALLY FAST.
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